ROD PICOTT (Nashville)
Sunday, July 21st; 8-11 pm
"Songs like Raymond Carver short stories."
The Houston Chronicle
Seventeen years ago Rod Picott dropped his tool belt, picked up an acoustic guitar and released his first album Tiger Tom Dixon’s Blues. The acclaimed debut put a nail in the coffin
of his construction career and ignited his second career as a singer-songwriter. With his new album, Out Past The Wires, that second career reveals itself in full flame. The sprawling twenty-two song Out Past The Wires ranges from whispery ballads to guitar driven rockers and hits every musical spot between. Like much of Picott’s catalog, many of
the songs on Out Past The Wires center around the lives of working people and the losses, defeats and small victories that can come hard won in a calloused world. It is here in the
ordinary where Picott finds the gold he mines so beautifully on songs such as “Take Home Pay” – one of four songs written with longtime friend and co-writer Slaid Cleaves.
“I'm on my way down to the pawnshop
A couple hundred is all I need
If I have to I’ll hit the blood bank
I’m bone dry but I can always bleed”
But there is also an air of defiance that runs through many of the songs this time around. On “Fire Inside” Picott growls.
“I got fire down inside
A heart darlin’ beating hard and wild
In the pouring rain
I will stand and testify
Cause I got a fire down inside.”
Picott’s eye for the revealing detail and sense of empathy has brought praise from music critics since his debut and those qualities, as well as a potent defiance is on full display across
Out Past The Wires. Now 52 years old and nine albums into his music career Picott is more prolific than ever. The twenty-two songs were culled from a staggering number of seventy-
eight. In the two years between Fortune and Out Past The Wires, Picott has also become a published poet (God In His Slippers – Mezcalita Press) written a screenplay and is releasing collection of short stories, also titled Out Past The Wires, that accompanies the release of the album. Many of the characters from the songs on the album find their stories expanded and even more finely detailed in the book.
For production duties Picott turned again to Neilson Hubbard (Kim Richey, Matthew Perryman Jones) who produced Picott’s most recent album Fortune. The recording band
consisted of Will Kimbrough/Electric Guitars (Emmylou Harris, Steve Earle, Rodney Crowell) Lex Price/Bass (K.D. Lang), Evan Hutchings/Drums (Brandi Carlisle) and Kris Donegan/Electric Guitars (Sara Evans). The band worked quickly in studio, relying on the instincts of world-class players and Hubbard’s steady hand to guide the ambitious project.
MATTHEW FRANCIS ANDERSEN
- 1st Place American Songwriter Magazine Lyric Contest, 2012
- Official Showcase performer at 2015 Folk Alliance Winter Conference
- Full Page in American Songwriter Magazine (January, 2015)
- Recently performed with Jim Lauderdale, Ruthie Foster, Gurf Morlix, Richard Buckner, Kevin Gordon, Steve Forbert, and more
- Awarded 2019 Illinois Arts Council Agency Independent Artist Grant
"Matthew Francis Andersen is a consummate craftsman. His song Blue Line proves he has a poet's eye for detail, a trait that separates good writers from legions of hacks."
Caine O'Rear, Editor-In-Chief, American Songwriter Magazine.
"Matthew Francis Andersen's music is reminiscent of Steve Earle, John Prine, and Springsteen. He's a tremendous writer, bridging Chicago with the Northwoods. I really dig what he's doing."
Nick Digilio, WGN Radio, 720am, Chicago.